“In Heaven, we will all become sound.” — Joaquín Rodrigo Vidre. This sentiment beautifully captures the essence of Rodrigo's Concierto de Aranjuez, as interpreted by Aleksandra Rzhavtseva on the golden harp. Her performance brings out a confessional intimacy—softer, more expressive, and even more soulful than that of many guitarists.

Alexandra won authority immediately: at the concert she was entrusted with the arrangement of the famous “Concerto de Aranjuez” by Joaquin Rodrigo, the second part of which that evening did not move only the inhuman to tears.